sickscreen print / 50 ex / 2 colors / 50/70 cm / paper fedrigonni ivory 260 grm
25 euros
Tony Cheung / magma
sickscreen print / 50 ex / 2 colors / 50/70 cm / paper fedrigonni ivory 260 grm
25 euros
Zven Balslev - flowerorgans
sickscreen print / 50 ex / 4 colors / 50/70 cm / paper fedrigonni ivory 260 grm
25 euros
Daisuke ichiba - deadsushi
sickscreen print / 50 ex / 2 colors / 70/1000 cm / paper fedrigoni ivory 260 grm
50 euros
Emhre Orun - deadbondage
sickscreen print / 50 ex / opaque white on black paper / 70/100 cm / paper fedrigoni 260 grm
50 euros
Dav Guedin - Back Home
sickscreen print / 50 ex / 4 colors / 50/70 cm / paper fedrigonni ivory 260 grm
25 euros
Jiro Ishikawa - ultimo grito
sickscreen print / 50 ex / 4 colors / 70/100 cm / paper fedrigoni 260 grm
50 euros
Pakito Bolino - ultimo IAGO
sickscreen print / 50 ex / opaque white on black paper / 70/100 cm / paper fedrigoni 260 grm
50 euros
Pakito Bolino - Pachamama
sickscreen print / 50 ex / opaque white on black paper / 70/100 cm / paper fedrigoni 260 grm
50 euros
Pakito Bolino - redevil
sickscreen print / 50 ex / opaque white on black paper / 70/100 cm / paper fedrigoni 260 grm
50 euros
Pakito Bolino - Suspence
sickscreen print / 50 ex / opaque white on black paper / 70/100 cm / paper fedrigoni 260 grm
50 euros
Le Mauvais Oeil 38 / abraham diaz
EXPO VISIBLE DANS L'ATELIER DU DERNIER CRI JUSK'AU 14 decembre
Voyeurism, sadism, masochism, self-mutilation, death, murder, suicide, gratuitous violence, sex, masturbation, TV addiction, urban decay. In his solo debut Suicida #1, Abraham Diaz works with these elements, mixes and molds them at will, creating a solid and always funny cartooning. In late 2015, the Mexican artist published with his imprint Ediciones Joc Doc 200 copies of this 28×20 cm comic book, texts in English and Spanish, a screen-printed cover, white and black paper with the addition of green, sometimes used as ink but also for the pages of the inserts. A good-looking but also dirty object, Suicida #1 digs up the underground punk aesthetics and the tradition of the single-artist floppy anthology in one shot. The opening story is The Witness, starring a lonely middle-aged man telling a policeman about a murder he watched spying in his neighbor’s bathroom. Diaz’s line is grotesque, cripples characters’ bodies, stretches their noses, twists their teeth, in a style that looks at many artists we loved over the last twenty years (Kaz, Ivan Brunetti, Johnny Ryan) but also at Mad magazine, gag cartoons, newspaper strips. And it’s not a case if inside the book we find two half sheets with four Misery Funnies, classic gags with text below the cartoons. One of this shows a man naked on the toilet, a steaming mug in one hand, the handset of the phone in the other and below “You don’t seem to understand… I’m my mother’s only child!”. And the telephone handset is a substantial detail, because the whole book is stuck in the 80’s or even before for aesthetics and settings and there is deliberately no trace of cell phones, computers and Internet.
Posters MAKI
2 sickscreen print / 50 ex / 2 colors / 50/70 cm / paper fedrigonni ivory 260 grm
